Showing posts with label Awards. Show all posts
Showing posts with label Awards. Show all posts

Monday, February 27, 2012

Oscar Night - Showtime!

Ladies and Gentlemen, live from the Kodak Theater, it's the 84th Academy Awards!

Here's a little red carpet summary to kick things off:

The nominees have smiled politely/grimaced through some inane questions. ABC showed quite a sweet montage with some of the nominees' mums. Bless.


Dresswatch: liking Jessica Chastain and Octavia Spencer so far.


Adlerkuss fashion observation: Gwyneth Paltrow has come dressed as a superhero!

Most charming interviewees: Jean Dujardin, who I want to win even more now. He wants you to know he's not a puppet. I also enjoyed Jason Segel, being all endearing. In other news, Bradley Cooper is sporting a disturbing 'tache.

And now, on with the show!!



3:30 am - Time for the first update:

Billy Crystal opened with the traditional Oscar montage, in which he got a kiss off Clooney. He also appeared as a semi-CG’d Tintin, which was quite disturbing. He then launched into his opening number, which was mildly amusing, though Jonah Hill didn’t seem to dig the weight loss/cupcake joke. Crystal seems to be in safe, business-as-usual mode - possibly after last year’s Hathaway/Franco misfire. He’s also seemingly enjoying a running gag about the impact of Kodak’s bankruptcy on the name of the venue.

Missing from proceedings this year is John Williams’ orchestra – perhaps the music meister is still recovering from his 80th birthday bash the other week. In his place, Slumdog Millionaire's AR Rahmen.

The first awards were a double whammy for Hugo (cinematography and art direction), which could yet clean up in the tech categories. This was followed by an expected and deserved Best Costume win for The Artist, and then Make-Up for The Iron Lady.

Sandra Bullock got possibly the biggest laugh of the night so far for her “German-accented Chinese” joke when presenting Best Foreign Language Film. This went to the favourite, A Separation, from Iran. Director Asghar Farhadi also gave one of the best acceptance speeches so far, touching whilst still making a political statement without much soapboxing.

On to Best Supporting Actress – which saw Christian Bale’s famous wandering accent in cockney mode, and went to the bookie’s favourite Octavia Spencer. She also gave a nice speech, during which she cried AND got a standing ovation, which is “empty your drink” time as per adlerkuss’ rules…

4:10 am - Next update:

We’ve had a Wizard of Oz “focus group” skit, with comedy cameos from Eugene Levy and Catherine O’Hara – also to be filed under “mildly amusing”.

Film editing saw a surprise win and the first award of the night for Fincher’s The Girl With The Dragon Tattoo. Cue a genuinely shocked and sweetly awkward acceptance speech.

Sound editing went to Hugo, so that theory is bearing out.

Instead of more random montages, we then got a Cirque du Soleil homage to the Hitchcock, which was actually pretty cool.

Best Documentary (Undefeated – American football) was preceded by a fairly funny Gwyneth Paltrow/Robert Downey Jr skit.  This speech was noteworthy for featuring one F-bomb and getting played off (that’s another glass emptied then…)

Best Animation was presented by Chris Rock (always best in small doses) and went to Gore Verbinski’s Rango. 

Tonight’s surprising discovery: Emma Stone (<3!) appears to be considerably taller than Ben Stiller. They present Best Visual Effects, another tech win for Hugo. Meanwhile, adlerkuss has reminded me that EVERYONE looks taller than Ben Stiller.

Best Supporting Actor was another expected win for Christopher Plummer – oldest actor ever to win an Oscar, fact fans! And what a gent.

4:30 am:

Music award time! Much as I admire John Williams, I was happy to see Best Original Score go to Ludovic Bource for The Artist.

This was followed by my highlight of the evening so far: Bret Mackenzie, aka one half of Flight of the Conchords, wins Best Song for "Man or Muppet"!!!

Best Adapted Screenplay was a surprise win in my book for the Descendents – I was sure Tinker, Tailor had it in the bag.

The Award for Original Screenplay went to Woody Allen for Midnight in Paris. Damn, I would’ve loved Bridesmaids to get it, but that was a long shot. Still, Woody didn’t even show up!

During another random montage Sacha Baron Cohen made an attempt to explain Borat, in one of my quotes of the evening: “ I just make stuff I would want to watch. And I happen to want to watch some pretty sick stuff”

5:00 am:

The Oscars for Best Shorts were presented by the cast of Bridesmaids, via the medium of knob jokes.
Live Action Short went to The Shore, from Northern Ireland. Documentary Short went to Saving Face, while the Animation award went to The Fantastic Flying Books of Mr Morris Lessmore – a lovely little treat, up over on adlerkuss’ page waiting to be checked out.
I hereby resolve to watch more short films.

Best Director goes to… Micheal Hazanavicius for The Artist! Good speech, good accent, good glasses, good job!

There now follows a brief interlude for Meryl Streep to talk about the Governor's Awards, and then the "In Memorium" section. 

Things are drawing to a close and we’re building up to the Big Three. For what it’s worth, I think Billy Crystal has done a pretty good job. Nothing mind-blowing, but not too many cringey moments either.

Best Actor goes to Jean Dujardin, as expected, but it's still a very deserved win.

Best Actress goes to Meryl Streep, so no surprise there. While I’m sure it’s also a deserved win for her (despite having not seen The Iron Lady), I was slightly hoping for an upset in this category – maybe Michelle Williams or Rooney Mara. Incidentally, Meryl was obviously testing the “if you want to win an Oscar, dress as an Oscar” theory. And at least she acknowledged that she can’t get really get away with the “Ohmygod I’m so surprised” schtick anymore, and seemed genuinely emotional at the end.

And, again as expected, Best Picture goes to THE ARTIST!! I’ve already said I think this is an extremely deserving win. Expect plenty of “Silence is golden” headlines in today’s papers. 

And of course, Uggie the dog made the requisite appearance....

So, that's it. Not too many laughs, barely any surprises, but overall an enjoyable watch. Here are my fellow blogger Herr adlerkuss' highlights:

"Plummer, Dujardin, Spencer. GWTDT editing team. Best dressed: Gwyneth without cape und Penelope"
My own were FotC's Bret, Christopher Plummer, Ben Stiller and Emma Stone presenting and all The Artist awards. 

On that note, good morning, it's been fun, let's do this again!

Sunday, February 26, 2012

Oscar Night!

It's that time of year again... the awards season reaches its climax tonight in LA with what is still the most prestigious film accolade going, critics and claims of bloatedness and irrelevancy be damned! Girl on Film will be blogging the evening together with adlerkuss, and invites fellow film fanatics / insomniacs to join us on the virtual sofa from 1am CET. adlerkuss has kindly provided an Oscar sweepstakes sheet and drinking game rules over on his page to further enliven the proceedings. Also worth checking out is the Guardian's interactive Oscar voting site, via which you can also watch some of the nominated shorts. Will The Artist become the first silent movie since Wings to scoop Best Picture? Will Meryl Streep lose both her shoes and swear into the mic? Tune in with us this evening to find out. Or, y'know, read it in tomorrow's papers, but where's the fun in that?

Monday, September 12, 2011

Venice / Toronto – 10 films to get excited about

September is bonus month on the film calendar, with major festivals taking place back-to-back throughout the first half of the month. Between them, Venice and Toronto fit in perfectly with the month’s back-to-school vibe by offering cinephiles a host of shiny new films to look forward to in the coming months, as well as highlighting the awards-baiters and Oscar hopefuls.

Working on the assumption that her guest pass fell victim to red tape, and accepting with a heavy heart that she won’t be catching up with George, Matt and Keira this year, GOF has been perusing the coverage over the last couple of weeks from the comfort of her desk and now presents, for your consideration, her ten films to get excited about from the transatlantic twosome’s 2011 crop:

The Ides of March – George Clooney’s fourth feature as a director/star is a neatly-timed political thriller following a Democratic candidate as he aims for the White House. Scandal, naturally, ensues. Ryan Gosling, Paul Giamatti, Phillip Seymour Hoffman and Evan Rachel Wood also star, making it an exciting prospect for 2012.

Shame – Michael Fassbender’s portrayal of a sex addict won him Best Actor in Venice. Carey Mulligan gives support as his sister, while Steve McQueen’s direction and the shots of New York came in for great praise in Venice.

Anonymous – a slight genre-change for disaster movie stalwart Roland Emmerich, looking at the mystery of the true author of Shakespeare’s works, with Rhys Ifans.

Trishna – Michael Winterbottom (the man behind GOF faves The Trip and A Cock and Bull Story, amongst others) offers an Indian spin on Tess of the d’Urbervilles, set in the present day, with Slumdog’s Frieda Pinto and Riz Ahmed (Britz) as the leads.

Contagion – already gaining a reputation as the *other* film where something nasty happens to Gwyneth Paltrow’s head, Steven Soderberg pits an all-star cast against a global pandemic. Looks to be a real feel-good one.

Take this Waltz – Sarah Polley got good reviews for her debut Away from Her a couple of years ago. She follows it up with a tale of a young married couple facing crisis. Seth Rogen and Michelle Williams star.

A Dangerous Method – The Talented Mr Fassbender plays Carl Jung opposite Viggo Mortensen’s Freud and Keira Knightley’s “erotically disturbed” psychiatric patient.

Tinker Tailor Soldier Spy – Tomas Alfredsson (Let the right one in) directs another all-star cast (Oldman! Hurt! Firth!) in a film adaptation of John leCarre’s spy novel classic. It got rave reviews at Venice despite missing out on any awards. Oh and the trailer drips class.

Poulet Aux Prunes – Following the animated gem that was Persepolis, Marjane Satrapi serves up another Iranian-set tale. Comparisons with Amelie seem inevitable, especially due to the whimsical trailer, so it might not be to everyone’s taste. If it strikes the right bittersweet mix however it could be a treat for fans of that style.

Drive – Ryan Gosling (him again) has described this as “a John Hughes movie with head-smashing”. After watching the trailer, I can’t quite decide if it looks quite brilliant or a bit dodgy, but I’d give it a go.

Also piquing interest: Joseph Gordon Levitt and Seth Rogen in “cancer comedy” 50/50, new takes on Jane Eyre and Wuthering Heights, Alexander “Sideways” Payne directs George Clooney in The Descendants and Roman Polanski shuts Jodie Foster, John C. O’Reilly, Kate Winslet and the wonderful Christoph Waltz in a room and waits for Carnage.